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Yes, very common in Turkish culture. My dad passed away a month ago. Everyone who came over to offer condolences brought pastries, cakes, various home-made foods. And roasted chestnuts, which are sold by street vendors in Turkey in the winter.

I thought about why that is, and came to the same conclusion as you: when you are grieving you just need to be able to go through the motions, and not stressing about what foods to make is really helpful.


On our team there's a very clear distinction between three groups:

- those who have embraced AI and learned to use it well

- those who have embraced AI but treat it as a silver bullet

- those who reject AI

First group is by far the most productive and adds the most value to the team.


Yeah, it's similar where I'm at.

If anything the silver bullet people are mostly managers and C levels... some of which don't even use the tools themselves.

Of the devs that rejected it at first, the ones with the same sentiment I'm seeing online in threads like these, we forced one to give it a try. He now treats totters between using it well and treating it as a silver bullet. I still hear him incredulous about the things claude does at meetings, "I had to do <thing> and I thought I'd let claude get a crack at it... did it in one shot"


I mean, that fits with what I said.

The whole "real software" thing is a type of elitism that has existed in our field for a long time, and AI is the new battleground on which it is wielded.

>> When I've had LLMs write unit tests they are quick to write pointless unit tests that seem impressive "2123/2123 tests passed!" but in reality it's testing mostly nothing of value.

This has not happened to me since Sonnet 4.5. Opus 4.5 is especially robust when it comes to writing tests. I use it daily in multiple projects and verify the test code.


I thought I did use Opus 4.5 when I tested this last time but I might have still been on the $20 plan and I cannot remember if you get any Opus 4.5 on that in Claude Code (I thought you did with really low limits?), so maybe I wasn't using Opus 4.5, I will need to try again.

Having used both Opus 4.5 and GLM 4.7, I think the former is at least eight months ahead of the latter, if not much more.

Can you concretely back that up?

I would advise refraining from posting sick owns like this in your own Show HN threads.

>> I'm sorry, what treachery was committed? The imposition of import taxes is not treachery.

It is an egregious violation of the Constitution, which specifically says that only Congress can impose taxes.


This is a significant escalation and is meant to give the federal government grounds for invoking the Insurrection Act.

It literally saved my small startup six-figures and months of work. I've written about it extensively and posted it (it's in my submissions).

>> If I come across a Dilbert comic, I might still read it and laugh.

Just make sure the comic isn't "Dilbert Reborn", which Adams started after he lost his national syndication. Those are either unfunny, vile, or both. https://x.com/i/status/2011102679934910726


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Are they, though? I only saw the linked four strips, and they're the typical right-wing depiction of leftist positions that say more about how people on the right think than about what leftists actually believe.

The first one is about Dilbert going to an anti-white-man protest, which might be how people on the right perceive something like a BLM event, but it's not what these events actually are. This is the kind of zero-sum thinking that conflates "my life should matter" with "your life should not matter." It's not what leftists actually believe.


The remarkable thing about "Dilbert Reborn" series is that it is a complete corruption and total betrayal of the original Dilbert comics.

The originals' core premise was universal workplace satire that criticized the office as a system: bureaucracy, incentives, incompetence, managerial nonsense... stuff that felt broadly true no matter one's politics. Even when it got cynical, it was still observational, in the sense of "here's how corporate life warps people." This depiction of what is essentially everyone's shared day-to-day struggles is the thing that gave it a place in mainstream culture.

In direct contrast, Dilbert Reborn is about Adams's personal grievances: his divorce and subsequent inability to find another partner, his fall from grace and full embrace of the alt-right movement, and his long-held beliefs about race, sex and other social issues that he quadrupled down on. Its core premise is "I was wronged; subscribe to the uncensored version; also here's the political/culture commentary bundle." It uses the recognizable characters and brand equity of the original comics to sell a fundamentally different product: paywalled, grievance-tinged, "spicier", creator-centric franchise built in the wake of his 2023 meltdown and institutional rejection.

There's actually quite a few conservative comedians and cartoonists I find funny. Adams was not one of them. The fundamental truth about successful humor is that you cannot make it about you and your own grievances. Adams totally failed at that.


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