Hacker Newsnew | past | comments | ask | show | jobs | submit | rondini's commentslogin

You’re assuming that the goal for a guitar player is to have perfectly optimal instrument when in reality many players want an instrument that feels and sounds like the artists that inspire them. Aesthetics is part of that but if they enjoy the sound of the instrument then who’s to say that another one is “better”?

How is photoshop a classic example when all of the icons and controls are quite literally grey in grey like the person you quoted was denouncing?


It's not grey on grey. It has cleanly delineated section, and most of them has been in the same place for ages. And there's thing like tooltips that help.


because of the information / functionality density and the fact that it's optimized for power users


You’ve been combative throughout this thread, and it's clear that you don’t see typography or design as disciplines that warrant serious thought. I don't think you're actually willing to engage with an explanation of why it matters but I'll try anyway.

System fonts are the absolute bottom of the barrel. Some are well designed but using any of them is a visual shorthand that you didn't care enough to put thought into your design. You're associating your product with the ocean of amateur work on the internet, giving the impression you copy pasted a template.

There are some high quality free fonts typically backed by massive organizations with actual typographic expertise. Most free fonts however, are amateur work that are technically and functionally lacking. Professional fonts are well designed at all weights, they're carefully spaced, they include much larger character sets to support more languages, contain features like lining and non-lining figures, variable font weights, small caps... are those all slight differences?

There’s a reason so many articles exist with titles like “Google Fonts That Don’t Suck”. Most of them do. If you are a professional whose job requires working with type, then choosing a font is foundational to your product. Arguing that all design is BS is just lazy; it's not a coherent argument.

I highly recommend practicaltypography.com, a free web book that discusses all of this and more, including why system fonts are bad and why a professional typeface is worth paying for.


This claim that system fonts are the "bottom of the barrel" is just so clearly false that I don't understand how you can be an advocate of typography and say it. Both Microsoft and Apple put huge amounts of effort into typography, contract or employ well-regarded designers, and their outputs are themselves well-regarded.

If you wanted to say "most of what's on Google Fonts is bottom of the barrel", you'd have a colorable argument. But that isn't what you said.


San Francisco is a great font. Arial is a perfectly functional semi-clone of Helvetica, Times New Roman is a decent interpretation of Plantin. Roboto is an interesting mash-up of Helvetica, DIN, and a few others.

System font from a web standpoint means you get one of these depending on the user's choice of phone, desktop, and/or browser.

It is somewhat like buying art because the frame covers a blemish on the wall. That the print inside the frame might be of a famous impressionist painting does not mean that the frame or the print necessarily go with the room.

The car analogy involves a car rental place - that they may give you any one of several newish, functional and even stylish vehicles does not change that you may often wind up being paired with a vehicle mismatched for your function.


Around the time Matthew Carter was creating Georgia, one of the most widely-used system fonts in the world, for Microsoft, he was also widely considered one of the best typographers in the world. Georgia is not hotel room wall art.


There are many laughably horrible attempts at fonts out there on free font sites (I remember my days learning to write software in the early 00s), sure. But there are also high quality professionally designed and typeset fonts available for free, including those of the system variety. The argument is comparing the latter to expensive designer fonts, not the former to high quality fonts.


> You’ve been combative throughout this thread

Disagreeing with you doesn't mean I'm combative. (Not that I care)

> typography or design as disciplines that warrant serious thought.

We are talking about fonts here, more specifically fonts used in software, more specifically the quality of free fonts used in software. Not 'design' as a whole which is much more than that.

> System fonts are the absolute bottom of the barrel.

If you say so.

> You're associating your product with the ocean of amateur work on the internet, giving the impression you copy pasted a template.

Reusing a font means you're copy-pasting your article/app/etc from a template? Erm ok.

> There are some high quality free fonts typically backed by massive organizations with actual typographic expertise.

'Some'? Like 1000? 10000? How many fonts does one application need? 'typically'? How 'typically'? And I'm not being pedantic - your statements are pretty meaningless without actual numbers.

> Professional fonts are well designed at all weights, they're carefully spaced, they include much larger character sets to support more languages, contain features like lining and non-lining figures, variable font weights, small caps... are those all slight differences?

What is a 'Professional font'? lmao

Plenty of free fonts have all of the features you've listed, and plenty of non-free fonts don't.

> There’s a reason so many articles exist with titles like “Google Fonts That Don’t Suck”. Most of them do.

Again 'so many' and 'most'... you should provide specific (at least approximate) numbers, otherwise this says nothing about how many good free fonts are actually out there.

> Arguing that all design is BS is just lazy

Well I didn't say that, pretending that I did is pretty lazy tho.

> I highly recommend practicaltypography.com, a free web book that discusses all of this and more, including why system fonts are bad and why a professional typeface is worth paying for.

Oh geez! A FREE book which tells you why you should pay for 'professional' fonts while at the same time selling them to you with affiliate links! Thank you sir!


You should care if you're being combatative, but, even more importantly, quoting previous comments the way you're doing doesn't work well on HN and is also a flamewar trope. Everybody can read the comments you're responding to. Just refer back to them in prose. A single quote, maybe 2 in a long comment, fine, but what you're doing now creates the impression that you're sort of rebutting what the previous commenter said as you read them, sentence by sentence, which is a tell that you're not actually thinking about what they said.

Also: they're pretty clearly wrong, so you shouldn't need any of this to refute them.


I am rebutting what the previous commenter said, sentence by sentence (almost), I don't know why that tells you that I'm not actually thinking about what they said though. Did I misunderstand or misrepresent something they said?


Going against someone is not the same as rebutting, the quality of the argument counts.


Because it’s easy to respond to one-off sentences. It’s harder to respond to the substantial argument they make.


What substantial argument?


What a ridiculous bad faith deflection. No other auto maker is explicitly and aggressively aligning itself with the current administration and their policies. Tesla’s CEO wants to associate his company with a political vision and is vocal about using his money to further that vision.


How is it bad faith? Most automakers have a history of doing terrible things. It's just which causes you choose to ignore.


There's a difference between 'history' and 'present', is the thing.


Geely is making a killing in Russia where other automakers pulled out. Khashoggi was assassinated in 2018 by the same people that own most of Lucid. The Chung family's political embezzlement is recent memory (2007).

It's pretty difficult to be morally consistent in your purchases. Where you draw the line is a personal choice.


There are plenty of automakers besides Tesla and the Chinese, and your BSAB perspective contributes nothing helpful.

Yes, companies like Porsche and Ford were founded by Nazis. But that was then and this is now. If the CEO of one of those companies throws a Hitler salute in public, they will be unemployed the next day. If the CEO of Tesla does the same thing, they will be handed $50 billion, patted on the back, and told, "Good job." That's a perfectly good reason for someone who is in the market for a car to choose one over the other.


Then please tell us which EV people should trade their Tesla in for and which moral judgements to make. You seem to think it's easy, I'm arguing it's not.

To be painstakingly clear I'm not defending Elon and I'm definitely not suggesting that people shouldn't avoid Tesla for whatever reasons they choose. My issue is inciting vandalism, or violence, against consumers who have made their own choices in this complex web.


I'm not in the moral arbitration business, sorry. Buy whatever car meets your needs and fits into your budget. I'm just pointing out that people who avoid buying Tesla because they don't want to feed Musk even more cash are not unjustified in their feelings. It doesn't sound like we disagree in that respect.

I don't have a good use case for EVs myself, but there was a time when I wished I did because I believed in what Tesla and Musk in general were apparently trying to do. I thought he was doing what I'd like to think I'd do in his shoes -- building cool stuff, trying to make a positive contribution to human progress, and making bank in the process. But his true agenda unfolded in a very different direction relative to one of those ideals, and for me, two out of three doesn't cut it.

(And yes, people who fuck with other peoples' cars occupy the next level down from Nazis in my personal Inferno. No argument there.)


this attempt to force alignment through terror will fail as it did last time.


Let's just consider Los Angeles for a second. For decades working class immigrants were pushed to the foothills in Altadena by redlining policies which placed them at risk for wildfires. Today their risk is exponentially greater due to the effects of unchecked climate change, and many cannot afford insurance even now.

How exactly do you expect these people to adapt? Many live in multigenerational households and could never afford to rebuild their house or move without uprooting their communities to another state.

Why are the victims made to adapt to the atrocious actions of the wealthy and powerful? Maybe our policy discussions should start from a place of compassion and work towards solutions from there.


One of my daughters was born with moderate to severe autism. There's no obvious cause. I'm told that from what we know it's at least 10 different factors that go into it, one of which is environmental pollution. So maybe corporations are partially at fault.

If I could cure it (yes, I'm using that term. It's a debilitating condition and she'd be better off without it) by selling my house and moving hundreds of miles away from family I'd do that in a heartbeat without complaint. All we can do is make the best of things.


People don't understand the exponential change. As you correctly stated, the effects of climate change are exponential. Why? Because if you take a normal distribution and shift it linearly, the area on the edges grows exponentially. This is why even a linear shift in temperature can lead to an exponential rise in disasters.

Math is hard for people, even on HN.


Having a preference for large suburban homes is fine, but your view of vulnerable people in your community is gross. It sounds like you'd rather insulate yourself from the failures of your local gov't, which is a privilege many people don't have.



There are lots out there, but a popular model you could check out is the Loop Engage. They suppress certain frequencies more than others to help distinguish speech from background noise.


Very interesting, I see Loop is a Belgian company so it's not some distant shipping (I live a stone's throw from the border) and, for a niche (or so I thought) hearing aid I didn't expect a price tag far below a hundred bucks! Looks like good value if this does what it claims (https://www.loopearplugs.com/products/engage)


My partner’s been extremely happy with the Loops she’s bought, with the exception of the “Quiet 2 Plus” models that didn’t work for her.


I would imagine the sporting body would be concerned that any crowd member with a flipper zero could remotely shift gears on a racer's bike and possibly render it immobile.


Sounds like it is in the rider's own interest to not have a wireless bike.


Except they're stepping far over that line! You can use a Patreon subscription on all platforms, same as a Spotify or Netflix or Kobo... and yet they want a cut even when they have no part in the payment processing. Totally indefensible imo.


No, I think you misunderstand. It's not "can you use it elsewhere?", it's "if the user chose to, could they use the purchase solely inside the context of the Apple ecosystem?"

That is, if someone wants to, they can use Patreon's iOS app, not interact with Patreon in any other way, and get all of the benefits available to patrons.


Guidelines | FAQ | Lists | API | Security | Legal | Apply to YC | Contact

Search: