It's interesting that they would characterize Americans (at least those of an "international" style that study abroad or socialize with Brazilians) as peaches, though. My first impression with an American is typically "this is a very very honest person that will hold me to a high standard".
This is maybe where the coconuts/peaches idea breaks: you can be someone who is "open" in the sense of having a Bayesian prior that people are generally good; but also be very quick to change their minds (unforgiving) and very literal (which is a kind of reactionary take on the ambiguity of superficial relationships).
So the spectrum I want to draw is more like ambivalence-judgementalness. (I want to keep ranting about Joao Gilberto vs. Chet Baker as jazz-pop singers and how one uses dissonant x/9/11/13 chords as a way to open up interpretation on the underlying basic harmonic structure while the other uses the same extended chord-color palette to create smoother but definite harmonic structures.)
It's interesting that they would characterize Americans (at least those of an "international" style that study abroad or socialize with Brazilians) as peaches, though. My first impression with an American is typically "this is a very very honest person that will hold me to a high standard".
This is maybe where the coconuts/peaches idea breaks: you can be someone who is "open" in the sense of having a Bayesian prior that people are generally good; but also be very quick to change their minds (unforgiving) and very literal (which is a kind of reactionary take on the ambiguity of superficial relationships).
So the spectrum I want to draw is more like ambivalence-judgementalness. (I want to keep ranting about Joao Gilberto vs. Chet Baker as jazz-pop singers and how one uses dissonant x/9/11/13 chords as a way to open up interpretation on the underlying basic harmonic structure while the other uses the same extended chord-color palette to create smoother but definite harmonic structures.)