As a student of Classics do you think the patronage model that companies like Kickstarter enable will become dominant or at least mainstream?
It seems like a key to understanding the future of copyright heavy industries will be to understand how people like Vivaldi (or any artist up until the 1950s) made art that persists to this day without the benefit of recorded media.
It seems like a key to understanding the future of copyright heavy industries will be to understand how people like Vivaldi (or any artist up until the 1950s) made art that persists to this day without the benefit of recorded media.